THE CRAZIES (15, 101 mins)***
Starring Timothy Olyphant, Radha Mitchell, Joe Anderson, Danielle Panabaker, Brett Rickaby, Christie Lynn Smith, Preston Bailey

%movie(360)

A cosy Midwestern town, population 1,260 – and rapidly depleting – is the green and tranquil setting for this bloodthirsty apocalypse.

Executive-produced by George A Romero, who redefined the horror genre with Night Of The Living Dead, Breck Eisner’s suspenseful yarn pays homage to the 1968 zombie classic with experimental bio-weapons as the contemporary trigger for all of the mayhem.

Ignoring the terrible title, The Crazies sustains tension well and peppers the escape from the quarantined town, with lots of jump-out-of-your-seat shocks to ensure more popcorn ends up on the floor than in your mouth.

Eisner, who will take the helm for the forthcoming remake of Flash Gordon, skilfully orchestrates the action sequences.

A fight in a mortuary involving a small, electrical saw will have men in the audience wincing with sympathy pains, and a showdown in an automatic car wash uses soap suds on the windshield to effectively conceal an attack from one of the infected until the very last moment.

The film opens with a raging inferno sweeping through the quaint community of Ogden Marsh, then rewinds to two days earlier to meet Sheriff David Dutton (Olyphant), who presides over the God-fearing residents with his deputy, Russell (Anderson).

An unfortunate incident on the baseball field casts a dark shadow over the picture-postcard town, but this is just the start of the nightmare.

Family man Bill Farnum (Rickaby) commits an horrific act against his wife Deardra (Smith) and child (Bailey), and is thrown in jail.

The change in the temperament of friends and neighbours troubles David, and he discovers the answer in the local creek which feeds into the water supply.

Before he can contain the problem, masked soldiers storm the stricken town, identifying those lucky few who have not yet contracted the illness.

David’s wife Judy (Mitchell) and her young assistant Becca (Panabaker) are isolated with the infected residents, while David is ushered towards transportation from the outbreak.

However, the sheriff refuses to leave behind his wife, and embarks on a rescue mission, with Russell covering his back.

The Crazies should satiate the blood lust of horror fans, culling large numbers of residents by gun, kitchen knife, garden fork and flame thrower.

A centrepiece sequence in a hospital ward, which finds Judy and Becca restrained in a room full of ‘crazies’ and unable to escape a grisly fate, is brilliantly staged to crank up the tension.

Olyphant is a likeable, yet flawed, lead, who allows his love for the people around him to blind him to the truth.

The denouement veers wildly towards implausibility to deliver an almighty bang, but does neatly set up a potential sequel.