Fiddler on the Roof

The Alhambra

For the villagers of Anatevka, life without tradition is as shaky as a fiddler on a roof.

But for beleagured dairyman Tevye, the traditions that have shaped his life and community are slipping from his grasp.

Life is changing in pre-Revolutionary Russia and, with pogroms looming, Tevye knows the days are numbered for his close-knit Jewish community. And with his three daughters deciding to marry for love rather than who he chooses, there are changes at home too.

This vibrant production of one of the world’s best-loved musicals owes much to Strictly Come Dancing judge Craig Revel Horwood’s slick direction and choreography, which created a sense of rustic community on stage.

Eqipping the talented cast with musical instruments on stage was a masterstroke. Playing their instruments – including flutes, a clarinet and double bass – was an effective means of expression and personality.

The impressive actor-musicians breathed fire into the sublime score, from lively toe-tappers Matchmaker Matchmaker, To Life and Tradition to the haunting Sunrise Sunset.

Guitar-strumming Paul Michael Glaser was a charismatic Tevye, quietly stealing every scene but always allowing the ensemble to shine around him. His was a subtle, quietly compelling performance, blending the weariness of a troubled father with flashes of humour and a twinkle in his eye. He drew the audience in, confiding in us as he did in God, and his witty yet thoughtful rendition of If I Were a Rich Man was a highlight.

Strong performances from Karen Mann as Tevye’s fiery wife Golde, Emily O’Keefe, Liz Singleton and Claire Petzal as the spirited daughters, and John Trenchard, Steven Bor, Daniel Bolton and Paul Kissaun as their various suitors.

A powerful production that lingers long after the Anatevka exodus.

Runs until Saturday.