The Magnets – All This Time (Blue Wrasse) ***

The Magnets are not ground-breaking innovators, but they dare to sing totally unaccompanied acapella in an age when anything ‘barbershop’ style is looked upon by the mainstream as archaic. Ironically, they are more inventive than the insipid churnings of the Simon Cowell mainstream empire as they combine intricate harmonies with virtuoso beatboxing through a catalogue of work written by esteemed artists of the ilk of Peter Gabriel, Adele and Sting. Always a hit at festivals from Edinburgh to Adelaide, the Magnets might one day break through commercially. But, for now they enjoy a niche audience that will keep them in clover for a good number of years yet.

Reg Nelson, 61, bank administrator

Alison Moyet – The Minutes (Decca) ***

Alison Moyet has shunned the expectations for a middle-aged woman to record an album of “advert jazz covers”. Thanks to the former Yazoo star’s steely determination and her hunger for exploring new creative avenues, we have instead The Minutes – a collection of deftly-crafted songs that echo her synth-pop past while also treading upon new territory. It’s a sound that continues on Apple Kisses and All Sign Of Life. Lead single When I Was Your Girl offers itself as a prime example of Moyet’s knack for soft-rock serenade – provoking memories of her heyday hits. Love Reign Supreme is a light, fun number that sends a clear message that Alison Moyet is an artist not for mellowing.

Daphne Rowbotham, 62, retired, Shipley

Phildel – The Disappearance of the Girl (Decca) ***

One of the many artists currently breaking on to the music scene on the back of television adverts – Phildel’s poignant tracks have graced the likes of Marks & Spencer, Expedia, Persil and Apple. As such, you have probably heard some of the often-haunting and seldom unremarkable songs without even realising. Her debut album The Disappearance Of The Girl is an enjoyable affair, carefully crafting a story throughout the 12 tracks. Although no one song particularly stands out, it is nonetheless an accomplished album that surprises in its simplistic, yet pleasant execution.

Charlotte McCallum, 22, accountant, Apperley Bridge